The B dominant seventh can be applied as a passing chord to the chord of the third degree (aka – “chord 3”.) Final Words So, we’re playing the B dominant seventh chord: The A dominant seventh can be applied as a passing chord to the chord of the second degree (aka – “chord 2”.) …and there’s another way it can be played: So, we’re playing the A dominant seventh chord: The G minor ninth chord can be applied as a passing chord to the chromatic chord of the first degree that we learned earlier – the C dominant thirteenth chord:
CHROMATIC SCALE PIANO FREE
So, we’re playing the G minor ninth chord:įeel free to voice the G minor ninth chord in two ways: The F dominant thirteenth chord can be applied as a passing chord to the chord of the third degree (aka – “chord 3”.) Chromatic Chords For The Fifth ToneĪlthough there are several options for chromatic chords on this tone, we’ll be focusing on the minor ninth chord. You can voice the F dominant thirteenth chord in two ways: …and omitting the eleventh tone (which is Bb): So, we’re playing the F dominant thirteenth chord: The E dominant seventh can be applied as a passing chord to the chord of the sixth degree (aka – “chord 6”.) Chromatic Chords For The Fourth Tone …and there are two ways it can be played: So, we’re playing the E dominant seventh chord: The D dominant ninth chord can be applied as a passing chord to the chord of the fifth degree (aka – “chord 5”.) Chromatic Chords For The Third ToneĪlthough there are several options for chromatic chords on this tone, we’ll be focusing on the altered chord. So, we’re playing the D dominant ninth chord: The C dominant thirteenth chord can be applied as a passing chord to the chord of the fourth degree (aka – “chord 4”.) Chromatic Chords For The Second ToneĪlthough there are several options for chromatic chords on this tone, we’ll be focusing on the dominant ninth chord. You can voice the C dominant thirteenth chord in two ways: …and omitting the eleventh tone (which is F): So, we’re playing the C dominant thirteenth chord: Chromatic Chords For The First ToneĪlthough there are several options for chromatic chords on this tone, we’ll be focusing on the dominant thirteenth chord. We’ll explore chromatic chords for every degree in the key – apart from the eighth degree (which is a duplicate of the first degree.)Īttention: All examples will be given in the key of C major. There are eight degrees in every key (be it a major or minor key). When one or more chord tones of a given chord are foreign to the prevalent key, such a chord is said to be chromatic. …is a chromatic chord because it consists of a Bb note:
…share the same root note – C (which is the first tone of the scale): …any chord that consists of one or more notes that are foreign to the key of C major, such a chord is a chromatic chord. …are chromatic because they don’t belong to the prevalent key (which is C major.) “What Is A Chromatic Chord?”Ī chromatic chord is a chord that is foreign to the prevalent key. The term chromatic literally means colorful and is used by music scholars to describe a musical idea (be it a note, scale, interval, chord, progression, etc.) that is foreign to a prevalent key.
As you learn about chromatic chords and a few examples in this lesson, you too can spice up your playing! Chromatic Chords – Explained Preliminaries …and you’re probably wondering what Bb, C#, D#, and F#: You can see an advanced player use the A dominant thirteenth chord): One of the key factors that set advanced and intermediate players apart from beginners is their ability to incorporate some spicy chords in their playing. This lesson is for you if you’re interested in learning about chromatic chords.